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REVELATION #9 THE MURDER OF JOHN LENNON

Ron Patton | December 3, 2010


The death of John Lennon has touched people of all ages. Lennon died when Rock
and Roll was trying to pry itself from the morass of Disco. The mix of disco, rock and
pop spat out New wave and Lennon and his beloved wife Yoko Ono saw it as an
opportunity to create new music. Lennon was excited to hear bands like Cheap Trick
and The B52’s create sounds that reminded him of his glory days. He died during a
comeback. Shot down in front of his apartment in New York.

I was teenager who established a rock and roll club at my high school denouncing disco
because my favorite rock band KISS decided to record a disco track. I decided that
music needed to be satanic again and joked that the devil abandoned rock because all
the cool people went to studio 54.
In order to be a legitimate club in High school you had to participate in school activities.
The big activity was the Christmas tree contest where student clubs would decorate
a tree for charity. The “Rock on” club as we called ourselves decided to do a tree
with gold and silver guitars and drum kits hanging from its branches. We also made
ornaments with the names if every hard rock band we could think of. Someone actually
said what about The Beatles? I sneered and said “No Beatles ornaments” but I did
say that it would be cool to but a White album and a Magical Mystery tour album cover
under the tree.
We had finished the tree and put it on display in the hall ready for the judges to look it
over. We stayed after school to make sure it was perfect. I went home and heard on
the radio that John Lennon was shot in front of his home.
I immediately felt sick. Elton John was on the radio talking about how much he was
going to miss him. I called a friend and said to him “We need to do something about
Lennon’s death.” He told me he knew a girl who sketched pictures of people and that
she could do a quick sketch of Lennon. He would have it framed in the morning and
then we could hang it behind our tree.
When I arrived at school I was told that our tree had won the contest. I was surprised.
Because I had seen the other trees and ours looked like it was taken from a Charlie
Brown Christmas. It was simple and not as good as the others. I had walked down the
hall to see the award certificate at the tree, still astonished that we won.
I noticed when I arrived that the tree had fake strawberries hanging off of it. The White
Album and the Sergeant pepper album still under the tree. Someone had turned our
tree into a John Lennon Memorial tree. There was a Poster on the wall near to the tree.
It said “Remember.” Finally the sketch of Lennon arrived and we hung it on the wall.
To this day I do not know who put strawberries on the Christmas tree. It remains as
mysterious as the death of John Lennon.
In the time I have been a talk show host I have appeared at least 1000 or more times on
the radio, in bars, online, in movies and television. Each time I have reached audiences
of all ages. Now, I am currently on FM radio doing a talk show on a rock station. It is
risk to memorialize John Lennon because many of the listeners to the station know
him only as a dead hippie rock star. He is not played on the station that I am on, he is
only referenced occasionally by their core artists as an inspiration and even then newer
bands probably aren’t even going that far any more.
I was having a meal with an old friend of mine who is a veteran radio personality.
He had told me that he had just wrapped up a documentary about the death of John
Lennon. I was interested in how the writers were going to present this topic because I
worried that the Beatles and Lennon weren’t relevant anymore.
It seemed that we are still trying to recover from the death of Michael Jackson and to
dig up the bones of Lennon would probably erupt in yawns from teenagers and young
adults because no one it seems cares about Lennon except the aging yuppie who soon
will become an endangered species.
Well I am an aging tweener caught between my KISS and Led Zeppelin tastes as well
as my love of DEVO and the B-52’s. The Beatles and Lennon were like history. They
didn’t speak to me, but they deserved my respect.
Listening to the Beatles anymore is like listening to ghosts. John Lennon is dead,
George Harrison is dead, Paul McCartney no longer has a rebellious spirit and every
once in a while Ringo shows up to remind us that he still has that boyish humor.
Whenever we lose someone as prolific as Lennon, or Jackson or even Kurt Cobain
we somehow want to dig deeper into how and why they were taken from us. In every
instance we see that there were people around them that were dangerous. People that
they trusted had turned on them not only betraying them but betraying us of their talent.
It is literally a Christ like tale of the charismatic prophet who spoke to a generation only
to be betrayed or perhaps killed by an associate or associates who claimed that they
had the person’s best interest in mind.
What we remember are images and sounds. The pain we feel from the loss of a cultural
icon is all based on moments where their work has touched our lives. Their works are
all saved in record albums, CD’s and now electronic bits that can be downloaded on i-
tunes.
John Lennon was more than just a dead hippie rock star. He was more that Michael
Jackson or Cobain. His background is far more complex and probably a bit darker and
tragic than the people would allow themselves to comprehend. This makes his murder
more intriguing than just a mere drug overdose, or alleged suicide. It goes far beyond
the story of a crazed lone nut gunman. It has many loose ends that will continue to be
investigated. Icon’s of history, have histories that when uncovered can paint quite a
different picture than the one framed by the mainstream narrative.
If you are to connect the dots of history, you will see that John Lennon may have known
that he was being used as a tool for government grooming and tooling of the populace.
When he rebelled, or made trouble he became a target. Lennon’s murder is a classic
example of someone who made a deal with the devil, and decided that he no longer
wanted to be in that deal.
Lennon once promoted the drug induced state of happiness, and was a cultural
controller of the hippie movement. The Beatles were a part of a well controlled test to
see how far a culture would go before it would turn on itself.
In his Brave New World Revisited, Aldous Huxley described a society in which “the
first aim of the rulers is at all costs to keep their subjects from making trouble.” He
described a likely future: “The completely organized society… the abolition of free will by
methodical conditioning, the servitude made acceptable by regular doses of chemically
induced happiness.”
He predicted democracies would change their nature: elections, parliaments, Supreme
Courts will remain but the underlying substance will be non-violent totalitarianism, quite
frankly a socialist state and quasi fascism where the populace would demand their
chemical and physical enslavement.
He also said that democracy and freedom would be the theme of every broadcast and
editorial — but democracy and freedom in a strictly non literal sense. Meanwhile the
ruling oligarchy and its highly trained elite of soldiers, policemen, thought-manufacturers
and mind-manipulators will quietly run the show as they see fit. The people once again
would not question it. The majority would demand their police state Welfare society out
of fear, long term brainwashing from media, and from the drugs and preparations they
would be given on a daily basis.
The Tavistock Institute was developed in order to shape public opinion. The social
engineering group used mass brain-washing techniques which were first used
experimentally on American prisoners of war in Korea. Its experiments in crowd
control methods have been widely used on the American public, a surreptitious but
nevertheless outrageous assault on human freedom by modifying individual behavior
through topical psychology. A German refugee, Kurt Lewin, became director of
Tavistock in 1932. He originally set up the Harvard Psychology Clinic, which originated
the propaganda campaign to turn the American public against Germany and involve us
in World War II.
The Tavistock Institute originated the mass civilian bombing raids in England which
were rumored to be actually allowed by Roosevelt and Churchill purely as a clinical
experiment in mass terror, keeping records of the results as they watched the “guinea
pigs” reacting under “controlled laboratory conditions”. All Tavistock and American
foundation techniques had a single goal—to break down the psychological strength of
the individual and render him helpless to oppose the gradual implementation of the new
global order. Funding for Tavistock was initially provided by the Royal family, but soon
to include the Rothchilds and the Rockefellers.
Dr. John Coleman wrote a book about Illuminati mass thought manufacturing in “The
Committee of 300.” The book covers the Tavistock behavioral science techniques and
the idea that Tavistock may have been responsible for the meteoric rise of the Beatles.
According to Coleman, The Beatles were brought to the United States as part of a
social experiment which would subject large population groups to brainwashing of which
they were not even aware.
The phenomenon of the Beatles according to Coleman was not a spontaneous
rebellion by youth against the old social system. Instead it was a carefully crafted plot to
introduce by a conspiratorial body which could not be identified, a highly destructive and
divisive element into a large population group targeted for change against its will.
It was theorized that Tavistock began the whole LSD craze and paid artists to begin
writing songs promoting drug use. Tavistock recruited the Rolling Stones and Pink
Floyd among others to carry their message as well.
Tavistock and Stanford Research then embarked on the second phase of the work
commissioned by the Committee of 300. This new phase turned up the heat for social
change in America. As quickly as the Beatles had appeared on the American scene, so
too did the “beat generation,” trigger words designed to separate and fragment society.
The media focused its attention on the “beat generation.”
Other Tavistock-coined words came seemingly out of
nowhere: “beatniks,” “hippies,” “flower children” became part of the vocabulary of
America. It became popular to “drop out” and wear dirty jeans, go about with long
unwashed hair. The “beat generation” cut itself off from main-stream America. They
became just as infamous as the cleaner Beatles before them.
.According to Coleman the plan had been proposed to plans socially engineer the
populace into accepting a “controlled superstate.” This super government can only
be implemented if the people demand it. The way it is engineered is through several
shocks to the system which in turn manipulate and wear down the populace into
adjusting their principles for the coming changes. The idea is to allow the idea of
transcendence to die off in the human being making him more of a beast or an animal
easily controlled and manipulated through trigger phrases, sounds, numeric sequences
and other stimuli. The subject is then reborn, and reprogrammed to do the will of its
master.
This was all taken from the books of MK Ultra tests that the Nazi’s performed. The plan
was in motion to drug the populace and use pop culture to promote the concept.
Coleman also postulates that The Tavistock institute used music and employed rock
groups like the Beatles to insert messages into their albums. The albums were made,
the repetition took hold and the social changes began.
One of the albums that created social change was the Beatles White Album. Along
with Sergeant Pepper’s Lonely Hearts club band, the White Album is considered a
Masterpiece. The albums were experimental and were allegedly completed with the
help of Tavistock using techniques of audio manipulation, subliminal messaging and
back masking.
However the experiment had gone horribly wrong. Some of the sleepers became
completely tuned out. Others became unstable. So there was a counter antidote to
the experiment. The culture was then exposed to the likes of Charles Manson and his
mind controlled killers. Soon the so called “Free love generation” became a generation
that feared death. Suicidal adolescence became less appealing and so the “Hippy”
transformed into the “Yuppie” or “boomer” waiting to become activated again in a future
time.
Charles Manson, the psychopathic controller who was responsible for the seven
Tate/ La Bianca Murders, blamed the Beatles’ White Album for the series of killings
his “Family” committed. Manson said that the Beatles songs “Black Bird,” “Helter
Skelter,” “Piggies,” and especially “Revolution #9” were all saying to him that a race
war was about to take place. He saw a black man laying down his chains to lead a war
against white people, killing off one third of the population. It is theorized that Manson
was a plant for the government. Manson was a well groomed agent provocateur that
was programmed with LSD and the White Album was his trigger.
Lennon was responsible for the track called Revolution #9. This was the track that
seemed to have all of the mechanisms necessary to trigger thoughts that led to actions.
Revolution # 9 is not a song at all, but a series of audio mixes with a voice saying
over and over NUMBER 9, NUMBER 9, NUMBER 9. If the audio barrage is played
backwards you clearly hear the phrase “TURN ME ON DEADMAN, TURN ME ON
DEAD MAN, TURN ME ON DEAD MAN.”
There were also phrases that when reversed said “TAKE HIM OUT TAKE HIM OUT”
and “SATAN LOOK AT ME.”
Manson believed that the song “Happiness is a Warm Gun” was the Beatles telling the
blacks that the time had come to fight, and the lyrics to “Blackbird” spelled it out even
more clearly. The white enemy was identified in “Piggies,” which is why the Family
scrawled the words “Death to Pigs” in blood on the wall after killing several of the Tate/
La Bianca victims with knives and forks.
The murders were carried out on August, 9th 1969.
The White Album was the Beatles 9th album released in Britain. Manson’s interpretation
of the Beatles lyrics was a strange, twisted affair but also was heavily dependent on the
Bible–primarily the book of Revelation, especially Chapter 9, which Manson acquainted
with John Lennon’s song “Revolution 9.”
Manson had also seen the four Beatles members as being the “four angels” referred to
in Revelation Chapter 9. The apocalyptic scripture tells of “locusts” which he interpreted
to be “beetles”, echoing the band’s name. It describes four prophets as having “faces as
the faces of men” but with “the hair of women”; the four angels had “breastplates of fire”
which Manson interpreted to be electric guitars.
Revelation 9:11 is the scripture dealing with Abaddon or the Destroyer, come to destroy
the city and leave the smoke of the fiery pit. The name Apollyon is also used in the
apocalyptic scripture. Apollyon or Apollo is the Greek God of death and pestilence. A
month before the Manson Murders, the Apollo 11 Mission was sent to the moon.
Revolution 9“, an audio montage of shouts, screams, classical music, exploding bombs,
soccer yells, traffic, hymns, oinking pigs, dialogue from the BBC, and the repeated
words “Number 9, Number 9, Number 9, a man’s voice saying, Rise and then the
sounds of machine gun fire and screams. “Rise,” was also printed in blood at the La
Bianca home. Prosecutor Vincent Bugliosi believed that it was “Revolution 9” that
inspired Manson to rise up.
The number 9 has always been referred to as the number of mystics
The number nine is a sacred number for Satanists. The number of the forces of
destruction is nine. In the book of Enoch, an apocryphal book it is written that God
asked 10 angels to oversee the creation of the earth. But one had turned away leaving
NINE. It was then that the number of nine became the number of rebellion against God.
Nine is the number of the Ego, for it always returns to itself. No matter what is done
through the most complex multiplication of nine by any other number, in the end the
final equation nine will stand forth. When nine is used in magic it can create chaos.
A satanic connection existed between the Beatles, Charles Manson, and the pregnant
murder victim Sharon Tate. Tate was the wife of movie director Roman Polanski who
was known for his satanic movie Rosemary’s Baby.
Sharon Tate was stabbed to death. She along with her unborn child was killed by cult
members, in her living room, with her friends. These cult members were controlled by
a charismatic leader who was under the influence of acid and who interpreted religious
messages from a Beatles Album.
The Movie Rosemary’s baby tends to foreshadow the events of the Manson family
Murders. Rosemary has a knife and she enters a room with the Cult members waiting to
take the child. In the final moments. It is too late. Her fate is sealed.
The Apartment scenes in Rosemary’s baby were filmed at the Dakota apartments in
New York. The same place where John Lennon was shot a by a fanatic of his music.
Mark David Chapman was another Lone Nut like Manson who was allegedly triggered
into killing by Mind control.
The number nine appeared repeatedly in John Lennon’s life, leading some (himself
included) to believe the number was of metaphysical significance. Knowing its Satanic
significance it gives pause to wonder if Lennon’s fate was sealed as well.
Lennon was born on 9 October 1940.
His son Sean was also born 9 October (1975).
Brian Epstein first saw Lennon and the Beatles at the Cavern on 9 November 1961, and
secured their recording contract with EMI on 9 May 1962.
On the cover of Walls and Bridges. there is a painting of Lennon’s from when he was
eleven years old of a football player with a big “9” on his shirt.
Lennon of course constructed the sound collage “Revolution 9”, and he also wrote the
song “One After 909”. In addition to recording an album called “#9 Dream”, John met
Yoko on 9 November 1966; 9 years after he met Paul McCartney and 9 years before
the birth of Sean.
Lennon lived at The Dakota, built in 1881 (1+8=9 & 8+1=9, 9+9=18, 1+8=9) in
apartment 72 (7+2=9). The building is located on 72nd Street in New York City (which,
again, adds up to 9).
He was murdered late in the evening of 8 December 1980 in New York, but it was
already the early hours of the morning of 9 December in his birthplace of Liverpool,
England. 1980 when reduced down 9+1 =10+8=18 reduced 1+8 adds up to 9.
The Song “Dear Prudence” on the White album is about Mia Farrow’s Sister Prudence.
Mia Farrow played Rosemary in Polanski’s Rosemary’s Baby.
John Lennon’s murder at the Dakota Apartments by Mark David Chapman yet again
churns a number of strange coincidences. Mark David Chapman Lennon’s assassin,
also has a coincidental tie in with the Manson Killings. It was Winifred Chapman a
maid hired by Polanski that found the bodies massacred by the Manson Family.
Chapman also claimed that he had listened to Lennon’s Double fantasy Album and
heard the song “Kiss Kiss Kiss.” He claimed that when played backwards it said SIX
SIX SIX I SHOT JOHN LENNON.
The song Kiss Kiss Kiss in reverse does seem to have a number of backwards
messages. Of course Kiss Kiss Kiss reversed would be Sick Sick Sick , however it does
sound a bit like six six six and there is a part where you do hear Yoko say I shot John
Lennon. There is also a part played forward where Yoko sounds as if she is having an
orgasm. In reverse you hear “attack attack attack”. I hate you!”
But alleged backwards messages were not the only things that triggered this killer.
Mark David Chapman was clutching the book “Catcher in the Rye” a book written by JD
Salinger.
Salinger’s was employed by the United States Defense Intelligence agency, during and
after World War II. His job was interrogating Nazi Intelligence officers and scientists
about their mind control programs. Salinger was responsible for the creation of the
mind control program MK-Ultra.
After Manchurian “sleepers” were created in project “Artichoke,” the MK Ultra program
was in full swing. Some people claim that assassins like Sirhan Sirhan and Charles
Manson were programmed killers that were under the control of the CIA. In the 1970’s
many patients seeking psychiatric help were being programmed in the MK- Ultra
experiments.
There was also speculation that a mass experiment took place in Jonestown.
The CIA recruited Jim Jones, the head of the Indianapolis Church and The Peoples
Temple Gospel Church. The CIA involvement with Jim Jones culminated in the so-
called “suicides” in Guyana in 1978 of 911 members of The People Temple. Jones like
Manson was a charismatic leader, who ordered his people to murder and to kill each
other many writers and researchers believe that this was a CIA mind control experiment
which involved the murders of 911 Peoples Temple members, the majority of whom
were black. This was another attempt at a Helter Skelter race cull like Manson had
spoken of. It is what he heard while listening to Beatles White Album.
The fallout from that incident can be traced once again to his Killer Mark David
Chapman.
World Vision was an Evangelical front for the CIA. World Vision “missionaries” were in
contact with Jim Jones and their nefarious activities put them in the middle of several
events where massacres take place. World Vision churches were responsible for
espionage during the Vietnam War and were a crucial tool in Operation Phoenix where
nearly 40,000 innocent civilians were murdered. World Vision also had representatives
in the Cuban refugee camps recruiting anti-communist mercenaries namely Alpha 66
the notorious group from the CIA in the Bay of Pigs debacle.
John Hinckley senior was an official for World Vision. John Hinckley Junior was the
would- be assassin of Ronald Reagan. John Hinckley senior was good friends with CIA
director and Vice President George Herbert Walker Bush.
When Hinckley shot Reagan, he too had in his hands the book “Catcher in the Rye”
by J.D. Salinger. Mark David Chapman the killer of John Lennon was an employee of
World Vision and worked at a port Chaffee Refugee camp.
Mark David Chapman allegedly shot Lennon and acted alone in front of the Dakota. We
are told that Lennon died from gunshot wounds from a .38 caliber snub nose revolver:
two in the left shoulder, two in the upper left side of the back. The accounts say four
shots, and maybe five shots were fired. There are 6 rounds in a .38. There were reports
of seven bullet holes. After Chapman shot Lennon he didn’t flee. He stood there with
the gun. The door man walked up and took the gun passively out of Chapman’s hand
and said “Do you know what you have done?” Chapman replied ‘Yes I have shot John
Lennon.”
The Doorman at the Dakota, Jose Perdomo yelled at Chapman to leave. Chapman
stayed, took off his coat and waited for police to arrive. Perdomo identified Chapman as
the killer.
Jose Perdomo had a secret; it was a secret that not many know. Perdomo used to
punch a CIA meal ticket. His full name was Jose Joaquin Sanjenis Perdomo. Perdomo
was also known as “Joaquin Sanjenis,” and “Sam Jenis.” He was an anti-Castro Cuban
exile who was a member of Brigade 2506. The brigade eventually joined Alpha 66
during the Bay of Pigs Invasion in 1961. Chapman said that he heard someone whisper
do it, do it, do it. Was it Perdomo? The Doorman at the Dakota once worked with Jim
Sturgis the Watergate Burglar and another member of a death squad called Operation
40 that was involved with the Bay of Pigs and may have been responsible for the death
of John F. Kennedy. In fact Perdomo and Chapman discussed the Bay of Pigs Invasion
and JFK’s assassination a few hours before Lennon was killed. The doorman for the
longest time had been misidentified as Jay Hastings. No one knew about Perdomo until
1987.
There is also a little known fact that John Hinckley Junior attended the prayer vigil that
was held for Lennon on December 14th 1980 in Central Park.
Only a few years after his death, Lennon’s widow, Yoko Ono, helped produce a TV
movie called John and Yoko: A Love Story. All seemed to be going well until it was
discovered that Mark Lindsay, the near lookalike they’d cast to play Lennon, was
actually named Mark Chapman.
Mark Lindsay Chapman was cast as John Lennon in a Movie with Lindsay Lohan called
Chapter 27. The Movie is about Mark Chapman and the events that lead up to the
Murder of John Lennon.
Lindsay Lohan was chosen to play the role of Rosemary in Michael Bay’s remake of
Rosemary’s baby.
With all of the names and dot connecting we see that there was a motive to kill Lennon.
It was most certainly because of his activism and his newly found popularity could pose
a threat because of what he stood for and what it appears he was involved in.
In 1980, a book appeared called “The Aquarian Conspiracy” that put itself forward as a
manifesto of the counterculture, defining the counterculture as the conscious embracing
of irrationality — from rock and drugs to biofeedback, meditation, “consciousness-
raising,” group therapy, UFO’s and psychodrama.
The “Aquarian Conspiracy” declared that the 15 million Americans that were involved in
the counterculture were about to start a revolution. The revolution that was believed to
have been left in the haze of Marijuana and LSD.
While many praised the book for its positive and constructive views there were others
who saw it as a guide for programmed “flower children” to rise up and begin the task
of a collectivist “conspiracy.” One where the world would come together in common
cause similar to the writings of Karl Marx.
It is argued however that the author, Marylyn Ferguson was not asking that the
revolution be based on the Marxist Model but a new internal process. Where
disillusioned “hippies” would create a new society within the old one, a coalescence of a
new social order.
The counterculture it seems, was actually a programmed sleeper cell that was ready to
be activated at a future time. With all of the same whistles and bells that started the
revolution of flower power back then. This time “flower power” had changed into a more
accepting attitude to Socialism and the ideas of Hegel- and Marx.
In the 1980’s it seemed that the counterculture was ready to reprogram the masses and
Lennon would be the poster boy for rebellion.
In the 1980’s, the musical programming that was used by Tavistock had a resurgence.
The 60’s came back in the form of Classic Rock Radio programming. MTV and VH1
were also there to do music retrospectives . These radio programming styles have not
changed since 1989.
The music that is played on Classic rock programmed stations is over 40 years old.
Keeping the counterculture programmed like rats following a Pied Piper. All with the
same trigger phrases, drug induced riffs, and in some cases Marxist messages of
globalism.
In 2004, Rolling Stone magazine voted John Lennon’s song, “Imagine,” the third
greatest song of all time. Former president Jimmy Carter observed that “in many
countries around the world… you hear John Lennon’s song, ‘Imagine,’ used almost
equally with national anthems.“
The song is indeed beautiful. However, Lennon was quoted in the book Lennon
in America, by Geoffrey Giuliano as saying that the song is “an anti-religious, anti-
nationalist, anti-conventional, anti-capitalist song, but because it’s sugar-coated, it’s
accepted.” Lennon also described the song as “virtually the Communist Manifesto.”
It is a song that illustrates the dream of no heaven, no hell. A world of peace and
tranquility. No possessions, no war and no religion. A song that urges a world
cooperative effort and government.
Songs like “Imagine “were allegedly a product of the Tavistock, Fabian philosophy of
“Collectivism,” philosophies emphasizing the collective over the individual fighting for
a common cause or threat. Marxism, more than any other philosophy, has influenced
modern collectivist thinking by adding equality and fraternity to the traditional collectivist
values.
Tavistock and groups like the Rand Corporation have broadened the appeal of
collectivism in a more sophisticated way than it has been previously. Through media,
music and drugs our culture has become easily manipulated into accepting a form
of Socialism and eventually The United States may see itself creating a model of
government similar to the Chinese model of State Capitalism.
HG wells was the author of a book called “The Open Conspiracy.” This Book was an
expose on what the elite were planning for the future and how a “Fabian” socialism
would gradually take over the world. Creating a New World Order that would replace
world religion and world government. He stated that it all would be replaced by
collectivism. He stated that collectivism would kill religion by replacing it as the new
religion and philosophy.
The death of John Lennon was carried out, in order to delay or put a halt to the left wing
collectivist ideal. Lennon sang about it, preached about it and wanted peace through a
unification process and global responsibility.
The programming of minds to accept a New Social Order or a New World order has
been going on for over 40 years. The generation that was programmed first is now
in power. The younger cynical generations are trying to fight the programming, but it
becomes difficult when faced with the idea of survival. Tweeners, Generation X and
the various generations after are being influenced once again by the older programmed
counterculture.
It is interesting that the programmed “yuppie” finds himself in the same environment
as he found in his adolescence. A culture influenced by drugs, and the prospect of a
socialized movement.
He is being plagued with social issues like abortion, population reduction and
environmental sustainability. He is also living in times of war. A war that is fighting
against ideologies that he doesn’t really understand. Technologies in outer space, and
computers are overwhelming, so he retreats to his home to escape in a vague haze of
hyper-reality. Wouldn’t this be evidence of programming? Watching the rat do what he
is programmed to do?
Is this an even bigger conspiracy? Does it go beyond the murder of an icon?
In the last election, both political candidates proposed new Government Agencies, new
militarized police forces, nationalized health care, social reforms , and proposals that
would alter your rights to privacy.
The new Global agenda was being prepared to replace the sovereign agenda. The
idea of a silent “Communist revolution” was being embraced by both political parties.
Because both parties are “owned” by groups that want to push globalization and state
socialist orders. The people just followed along blindly and accepted these socialist
policies without question.
The socialism creep gets blurred by the War effort. It is the new status quo, that sets
the stage for the worldwide push for Global sustainability and world control. We declare
war on everything. We have a war on drugs, poverty, and terrorism. Even the climate
is our enemy because it to is allegedly unstable.
The world needs an enemy that we all can agree is a threat. However it will take more
money and centralized government to fight it. War is the staple of the New World
Order‘s foreign policy, because it is necessary for the governing party to direct the
anger and frustration of the people outward, rather than inward, at themselves.
During war, a people are more willing to project their hatred and fear at others, criticize
the enemy’s government and in the same process adopt some of the same “horrible”
traits of the so called enemy.
Lennon was the enemy to the conservative Nixon and Reagan. He was a threat to
George Herbert Walker Bush and his coup that he was attempting. He was ready to
declare a right wing pseudo religious attempt at sanctifying government as a cult
It was his World Vision of a new world order, similar to what Jim Jones and Charles
Manson offered in the past. A war where the people fight because of religious
differences. They fight over Allah or Christ. They kill over possessions, and who is
going to heaven, or hell.
John Lennon once said that The Beatles were bigger than Jesus that the Beatles had
a grasp on young minds more so than the Bible. Charles Manson called himself a
White trash Jesus and that he too believed that he had the young and disenfranchised
following him. Lennon was scourged in the media for saying that the Beatles were
more popular than Christ, but he was smart enough to know the difference.
After Lennon’s murder we are now seeing that there is no stopping leaders from
acting like messiahs or cult leaders. Corrupt government benefitted from Lennon’s
death. So we must determine that somehow a greater conspiracy exists in his murder.
The strange coincidences seem like sorcery, and the numbers make it all the more
frightening. The running theme below the narrative is a mind control experiment out of
control.
From listening to Beatles music and reading about an alienated Holden Caulfield the
next killer is hiding waiting for the next time. As a tweener I still am trying to piece
together mysteries with vague clues about Lennon and still wondering who in 1980
placed strawberries on my Christmas tree.

Written by Ron Patton




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    Ground Zero Radio

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    Episode 394 NIGHTMARE – NO REST NO PEACE

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    Episode 393 GRAVEHEART

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    Episode 392 – SILENCE OF THE LAM

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    Episode 391 – THE LURKERS

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    Episode 390 – CALLING ON THE LIFELINE

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    Episode 389 – LEVEL 7 – DOOMSDAY OF ETERNAL REST

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    Episode 388 – TSUNAMI BOMB

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    Episode 387 – APOCALYPTIC SLIPPERY SLOPE

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    Episode 386 – APOCALYPSIS – SHIFTING FROM THE GALLOWS POLE

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    Episode 385 – A FIST FULL OF TREMORS

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    Episode 384 – EARTHQUAKE: AS SEEN ON TV

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    Episode 383 – THE SERPENT’S SHADOW

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    Episode 382 – LA LUNA SANGRA

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    Episode 381 – THE CONCOMITANCE OF LUCIFER

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    Episode 380 – EIDOLA: FALSE SIGNS AND WONDERS

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